The Typographeum Bookshop

246 Bennington Road, Francestown, New Hampshire 03043, U.S.A.

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Typographeum Bibliography (part three)

Francis Golffing: Neobule's Soliloquy52 • Francis Golffing: Neobule's Soliloquy. 1992.

«Description» February 1992. 20 copies. 5¼ x 6¼ inches. Two unnumbered leaves sewn into overlapping tan wrappers. Top and bottom edges trimmed, fore-edge deckled. Paper: Linweave. Text type-face: 12-point Bembo.

«Annotations» This is a poem after Horace, Odes (III/12), and was printed in celebration of the fiftieth wedding anniversary of Barbara and Francis Golffing.

53-a • Richard Rooke: Crossing the Border & Other Poems. 1992.

«Title-Page» Crossing the Border | & Other Poems | by | Richard Rooke | [fleuron] | Typographeum / 1992

«Description» February 1992. 75 copies. Royal octavo. Case-bound in a blue cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 48 pages. Illustrated: four designs printed from line blocks: on pages [15] (Andy Anderian), [21] (Jaspail Riyait), [30] (Paul Ambrosio), and [36] (Rob Langlade). Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

53-b • Richard Rooke: Crossing the Border & Other Poems. 1992.

«Description» The same but limited to ten copies, lettered A to J, and signed by the poet.

R. D. Lakin: American Passport54 • R. D. Lakin: American Passport. 1992.

«Title-Page» American Passport | by | R. D. Lakin | [device] | Typographeum / 1992

«Description» April 1992. 125 copies. Royal octavo. Case-bound in a red cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 60 pages. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

«Annotations» Dean Lakin and his wife, Barbara, visited me several times, and once I must have asked him to sign a copy of this book. On opening it many years later I was surprised, but still pleased, to find this.

55 • Rosalind Berwald: Remembering Signor Oscar. Illustrated by the author. 1992.

«Title-Page» Remembering Signor Oscar | by | Rosalind Berwald | Illustrated by the Author | [fleuron] | Typographeum / 1992

«Description» May 1992. 135 copies. Royal octavo. Case-bound in a dark green cloth from Van Heek. Titling label on the back-strip. Color plate mounted on the cover. Edges untrimmed: fore-edge deckled. 44 pages. Illustrated: five color plates printed by Kall-Kwik (London), trimmed and tipped in: frontispiece and on pages [15], [20], [27], and [32]. Paper: Linweave. Text type-face: 12-point Bembo. Separate prospectus.

Terry Risk: For Gisele56 • [Terry Risk]: For Gisèle. 1992.

«Title-Page» For Gisèle | On Your 80th Birthday | 11th September 1992

«Description» June 1992. 10 copies. Small octavo. 6 unnumbered leaves sewn and bound into light brown overlapping wrappers. Titling label on the cover. Edges untrimmed. Paper: Michelangelo France. Text type-face: 12-point Baskerville.

57 • [R. T. Risk]: The Berkshire Kennet, A Printer's Explanation. 1992.

«Title-Page» The Berkshire Kennet | A Printer's Explanation | Typographeum / 1992

«Description» August 1992. 50 copies. Octavo. Two unnumbered leaves, folded. Fore-edge deckled. Paper: Linweave. Text type-face: 12-point Bembo.

«Annotations» This is a riposte to number 28 above. A booklet, reprinting a poem by Richard Aldington, was supposed to have been given to the people attending a symposium on Aldington at Reading University in July 1986. However, David Wilkinson, who commissioned it, revealed a proprietary and obtuse attitude which at first I could not take seriously. Among his demands was that I insert a statement in the colophon that the undistributed copies would be “destroyed.” For a printer the notion that I'd be a party to such a thing was, of course, outrageous. Further it would have been a lie, as he admitted to me later. I finished the work and sent Wilkinson his 60 copies in good time. But there the story did not end. The whole sorry thing is explained in this leaflet.

58 • J. Bernlef: Poems. 1992.

«Title-Page» DRIFTWOOD HOUSE | Poems by | J. BERNLEF | Translated by Scott Rollins | [fleuron] | Typographeum / 1992

«Description» November 1992. 100 copies. Royal octavo. Case-bound in a russet cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 44 pages. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

59 • Bruce Chatwin: The Morality of Things. 1993.

«Title-Page» [swelled rule] | THE MORALITY | OF THINGS | A Talk by | Bruce Chatwin | [swelled rule] | Foreword by John Wyse Jackson | Frontispiece by Jocelynn Hallen | [device] | Typographeum 1993

«Description» January 1993. 175 copies. Royal octavo. Case-bound in a grey cloth from Van Heek. Titling label on back-strip. Edges untrimmed. 32 pages. Illustrated: drawing by Jocelynn Hallen printed from a line block: frontispiece. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» This is a talk Bruce Chatwin gave at an art auction in support of the British Red Cross. He spoke about the obsession with possessions, a subject that interested him greatly: “All civilizations are by their very nature ‘thing-orientated’ and the main problem of their stability has been to devise new equations between the urge to amass things and the urge to be rid of them.”

R. D. Lakin: Travelling Raccoon Eyes60 • R. D. Lakin: Travelling Raccoon Eyes in New Hampshire. 1993.

«Title-Page» TRAVELLING RACCOON EYES | IN NEW HAMPSHIRE | New England Memento | Autumn, 1992 | by R. D. Lakin | [fleuron] | Privately Printed 1993

«Description» March 1993. 15 copies. Signed by the poet. Small octavo. 4 unnumbered leaves sewn and bound in overlapping marbled wrappers made by R. T. Risk. Titling label on the cover. Edges trimmed. Text paper: Mohawk Superfine. Text type-face: 12-point Baskerville.

61 • Paul W. Nash: The Gilded Fly: Short Stories. 1993.

«Title-Page» The Gilded Fly: Short Stories | by Paul W. Nash | Illustrated by Elizabeth Lee James | [floral engraving] | Typographeum: 1993

«Description» June 1993. 100 copies. Royal octavo. Bound in a russet cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 40 pages. Illustrations: three drawings by Elizabeth Lee James printed from line blocks: on title-page, page [16], and as a tailpiece on page 32. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

62 • R. T. Risk: Four Private Presses. 1993.

«Title-Page» Four Private Presses | [swelled rule] | The Castlelaw Press The Melissa Press | Officina Bodoni The Cuala Press | [swelled rule] | A Memoir by | R. T. RISK | [fleuron in red] | Typographeum 1993

«Description» October 1993. 125 copies. Royal octavo. Case-bound in a black Japanese cloth. Titling label on the back-strip. Edges untrimmed. 60 pages. Illustrated: three photographs by Terry Risk printed on glossy paper, trimmed, and tipped in and two reproductions: frontispiece and on pages [12], [22], [32] (from a Christmas card sent by Giovanni Mardersteig), and [42] (a page from a Cuala Press prospectus, reduced). Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» This recounts my visits to four private presses in 1973, before I had become a printer myself. I was looking for inspiration and found it from Alex Frizzell, a much loved bookseller, who had two beautiful presses installed in his home. One of them, the Arab, he let me use after he taught me the practice of letterpress.

Xan Fielding: A Hideous Disguise63 • Xan Fielding: A Hideous Disguise. Foreword by Patrick Leigh Fermor. Illustrated by Amy Nimr. 1994.

«Title-Page» A Hideous Disguise | by | XAN FIELDING | Foreword by Patrick Leigh Fermor | Frontispiece by Amy Nimr | [fleuron] | TYPOGRAPHEUM: 1994

«Description» March 1994. 150 copies. Royal octavo. Case-bound in blue cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 52 pages. Illustrated: portrait printed from a half-tone screen block: frontispiece. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

«Annotations» Xan Fielding volunteered in January 1944 to be sent on a mission into Nazi-controlled France where he was captured and released under dramatic circumstances. In the Foreword here, his old friend Patrick Leigh Fermor writes: “Xan Fielding was a gifted, many-sided, courageous and romantic figure, at the same time civilized and Bohemian, and his thoughtful cast of mind was leavened by humour, spontaneous gaiety and a dash of recklessness.”

64 • Lawrence P. Spingarn: Elegy for Amelia. 1994.

«Title-Page» ELEGY FOR AMELIA | by Lawrence P. Spingarn | [fleuron] | TYPOGRAPHEUM

«Description» June 1994. 75 copies. Signed by the author. Small octavo. 24 pages sewn and bound in overlapping blue wrappers. Titling label printed in blue on cover. Edges trimmed. Text paper: Mohawk Superfine; cover paper: Strathmore. Text type-face: 12-point Baskerville.

Roger Burford Mason: Printe and Be Damaged65-a • Roger Burford Mason: Print and Be Damaged. 1994.

«Title-Page» [1-point rule] | PRINT AND | BE DAMAGED | [1-point rule] | Or How I Put My back Out | Saving Letterpress For My | Grandchildren's Children | [1-point rule] | by Roger Burford Mason | [1-point rule] | [fleuron] | FRANCESTOWN | Printed at the Typographeum | between the Stone Walls. | MCMXCIV | [1-point rule]

«Description» July 1994. 25 numbered copies. Signed by the author. Octavo. 24 pages sewn and bound into a light grey wrappers. Titling label printed in sepia on cover. Edges trimmed. Illustrated: one reproduction of a prospectus printed from a line block: frontispiece. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Preserved in a case bound with a linen cloth from Van Heek with the same label on the cover. Separate prospectus.

65-b • Roger Burford Mason: Print and Be Damaged. 1994.

«Description» The same but limited to 150 copies, not numbered or signed, and not in a case.

66-a • John Moat: Three Stories. 1995.

«Title-Page» Three Stories | Snow | The Missing Piece | Smoke | John Moat | [fleuron] | TYPOGRAPHEUM | Francestown: 1995

«Description» February 1995. 100 copies. Royal octavo. Case-bound in a russet cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 60 pages. Illustrated: three drawings by the author printed from line blocks: on pages [9], [29], and [41]. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

66-b • John Moat: Three Stories. 1995.

The same but limited to 30 numbered copies signed by the author/artist.

67 • Gisèle [d'Ailly]: Parian Poems. 1995.

«Title-Page» Parian Poems | [line block] Gisèle | Typographeum: 1995

«Description» June 1995. 150 copies. Royal octavo. Case-bound in a light blue cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 48 pages. Illustrated: two photographs and one reproduction printed on glossy paper from half-tone screen blocks, trimmed and tipped in: on pages [10], [22], and [43]. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» Gisèle d'Ailly was a Dutch artist and poet. In the mid-1960s she found and restored a small, nearly ruined monastery on the Aegean island of Paros, and for about sixteen years that was where she worked for long stretches of time. During the evenings, by candlelight, she wrote these poems: about her painting, her distant neighbours, and the life of the island.

Alfred Douglas: Halcyon Days68 • Alfred Douglas: Halcyon Days. Selected and Introduced by Caspar Wintermans. 1995.

«Title-Page» Lord Alfred Douglas | Halcyon Days | Contributions to The Spirit Lamp | Selected and Introduced by | Caspar Wintermans | [fleuron] | Typographeum: 1995

«Description» September 1995. 100 copies. Royal octavo. Case-bound in a green cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. Illustrated: one reproduction of a cartoon printed from a line block: frontispiece. 48 pages. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» These four prose pieces were written in the 1890s when Douglas was an undergraduate at Magdalen College, Oxford. They first appeared in a student magazine, The Spirit Lamp, which for a time he edited and to which he devoted himself to the exclusion of his academic studies. The magazine had a brief life, but among its contributors were Max Beerbohm and Oscar Wilde.

69-a • Rosaleen Norton: Three Macabre Stories. 1996.

«Title-Page» Three Macabre Stories | by | Rosaleen Norton | [fleuron] | Edited with an Introduction by | Keith Richmond | Typographeum: 1996

«Description» January 1996. 150 copies. Royal octavo. Case-bound in a black cloth from Van Heek. Titling label on the back-strip. Gilt embossed device on the cover. Edges untrimmed. 48 pages. Illustrated: photograph portrait printed on glossy paper from a half-tone screen block, trimmed and tipped in: frontispiece. Paper: Mohawk. Text type-face: 12-point Bembo. Separate prospectus. .

«Annotations» Rosaleen Norton was an Australian artist who was notorious in the 1950s and 1960s because of her occult beliefs, bohemian life-style, and bizarre and often sensuous artwork. Less known was her work as a writer. The three horror stories included here first appeared in a popular magazine, Smith's Weekly, in 1934 when she was 16.

69-b • Rosaleen Norton: Three Macabre Stories. 1996.

«Description» The same but limited to twelve copies, lettered A to L. Signed by Richmond. Bound by Francis Brown of Dorchester, Dorset, in quarter black morocco with black cloth sides. Titled in gilt on the back-strip. Embossed device in gilt on the cover. Top edge gilt. Dark blue end-papers. Preserved in a slip-case

John Macalister: Butterflies70-a • John Macalister: Butterflies. 1996.

«Title-Page» Butterflies | John Macalister | PRIVATELY PRINTED

«Description» March 1996. 40 numbered copies. Small octavo. 16 pages sewn and bound in Unryu, a delicate paper from Thailand. Titling label on the cover. Edges untrimmed.

«Colophon» Forty numbered copies of this story | were for distribution to friends on the occasion | of the writer's fortieth birthday. | An additional ten copies in a variant binding | were also done by the printer, R. T. Risk, | who completed the work in March 1996 | at Francestown, New Hampshire | THIS IS COPY NUMBER [numbers hand-written]

70-b • John Macalister: Butterflies. 1996.

«Description» The same, but ten copies, in a variant binding, not numbered [for the printer].

71 • John Fairfax: Zuithitsu, Poetic Journal and Jottings. 1996.

«Title-Page» Zuihitsu | Poetic journal and jottings | by | John Fairfax | [fleuron] | Typographeum: 1996

«Description» July 1996. 100 copies. Royal octavo. Bound in a green cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 76 pages. Illustrated with four designs printed from line blocks: on pages [9] (Michael Fairfax), [41] (Jonathan Fairfax), [51] (Sara Cunningham), and [63] (Helen Merrin). The paper is Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

72 • John Gohorry: Ten Oxherding Poems. 1996.

«Title-Page» TEN | OXHERDING | POEMS | by | John Gohorry | Illustrated by Jone Delahaye | [fleuron] | Typographeum: 1996

«Description» September 1996. 175 copies. Octavo. 28 pages sewn and bound in light blue wrappers. Titling label on the cover. Edges untrimmed: fore-edge deckled. Text paper: Linweave; cover paper: Strathmore. Text type-face: 12-point Bembo. Separate prospectus.

73 • John Moat: Skeleton Key. 1997.

«Title-Page» Skeleton Key | by | John Moat | TYPOGRAPHEUM | Francestown: 1997

«Description» January 1997. 100 copies. Royal octavo. Bound in a black cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 68 pages. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

74 • Kevin Di Camillo: Why I Drive Alfa Romeos & Other Excuses. Photography by Mark Dellas. 1997.

«Title-Page» Why I Drive Alfa Romeos | & Other Excuses | POEMS BY | Kevin Di Camillo | PHOTOGRAPH BY | Mark Dellas | [fleuron] | TYPOGRAPHEUM | 1997

«Description» 100 copies. Signed by the poet. Royal octavo. Case-bound in a red cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 72 pages. Illustrated: photographic portrait by Mark Dellas printed from a half-tone screen block, trimmed and tipped in: frontispiece. Paper: Mohawk Superfine. Text type-face: 12-point Baskerville. Separate prospectus.

75-a • R. T. Risk: Typographeum. 1997.

«Title-Page» Typographeum | [swelled rule] | Being essays, mainly historical, | on printers and printing, and | including a remembrance of | a bookseller, along with | a personal narrative, by | R. T. Risk | [device] | Francestown: 1997

«Description» October 1997. 115 copies. Case-bound in a brown cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 48 pages. Paper: Mohawk Superfine. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» This is a memoir about establishing myself in Francestown, but it also includes an essay on what it may been like to be a printer in the 15th Century, in particular describing how a printing shop was run and what problems had to be dealt with. In addition I wrote about David Low, an English bookseller who was a friend and confidant. It interested me so much to talk about the trade which in the days he had a shop on Cecil Court in central London was “marked by a gentlemanly conduct among colleagues and professionalism in handling books and the commercial aspects of the business.” Later he noticed another trend, a lessening of standards: “Many of these newcomers seemed quite ridiculous, he told me. ‘Happily few of them can write, or catalogue. All they can do is price!’”

75-b • R. T. Risk: Typographeum. 1997.

«Description» The same but limited to ten lettered copies. Signed by the author. Bound by Francis Brown at Dorchester, Dorset, in quarter brown morocco with brown cloth sides. Gilt titling on the back-strip. Top edge gilt.Gilt embossed device on cover. Preserved in a slip-case.

76 • Keith Richmond: Wanderings in Lower Dolpo. 1998.

«Title-Page» Wanderings in Lower Dolpo | Reminiscences of a ‘Gonpa Thief,’ | An Account of a Journey Through | North West Nepal in the Last | Quarter of 1995 | by | Keith Richmond | [fleuron] | TYPOGRAPHEUM | 1998

«Description» July 1998. 125 copies. Royal octavo. Case-bound in a russet cloth from Van Heek. Titling label on the back-strip. Edges untrimmed. 112 pages. Illustrated: map printed from a line block and seven photographic reproductions in color pasted down: the map on page [54] and the photographs on pages [97], [99], [101], and [103]. Paper: Strathmore. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» The author and a Sherpa friend walked through the remote, isolated, and desolate area called Dolpo in search of first-hand information about Bon, an ancient religion similar to Mahayana Buddhism which is still practiced there. On the way they encountered loutish officials, suspicious villagers, and great hardship in a difficult terrain. But they were also favoured with much kindness.

77 • W. F. Cornell: Three Little Poems. 1998.

«Title-Page» Three Little Poems | W. F. Cornell | [fleuron] | Privately Printed

«Description» September 1998. 75 copies. Octavo. 8 unnumbered leaves sewn and bound into overlapping wrappers. Titling label on the cover. Edges untrimmed: fore-edge deckled. Text paper: Linweave. Text type-face: 12-point Bembo.

Derek Stanfofd: The Purgatory and Paradise of Aubrey Beardsley78 • Derek Stanford: The Purgatory and Paradise of Aubrey Beardsley. 1999.

«Title-Page» The Purgatory and Paradise | of Aubrey Beardsley | An Essay and a Narrative | Confession in Verse | by | Derek Stanford | [device] | Francestown | TYPOGRAPHEUM | 1999

«Description» January 1999. 150 copies. Royal octavo. Case-bound in a gold cloth from Japan. Titling label on the back-strip. 76 pages. Illustrated: ten drawings by Aubrey Beardsley printed from line blocks: frontispiece and on pages [18], [26], [38], [43], [46], [50], [53], 55, and [62]. Paper: Strathmore. The type-face is 12-point Bembo. Separate prospectus.

«Annotations» Derek Stanford was an authority about the 1890s, in particular Aubrey Beardsley, one of the best and certainly most original of the English black-and-white artists. This is a long poem written in Beardsley's imagined voice.

79 • Francis Golffing: A Glimpse of Montenegro. 1999.

«Title-Page» A Glimpse of | Montenegro | Francis Golffing | [fleuron] | Privately Printed | 1999

«Description» May 1999. 60 copies. Octavo. 6 unnumbered leaves sewn and bound in light green overlapping wrappers. Titling label on the cover. Edges untrimmed. Text type-face: 12-point Bembo.

80 • Kevin Di Camillo: Occasionally Yours. 1999.

«Title-Page» Occasionally | Yours | (& Others) | The Occasional Verse | of Kevin Di Camillo | 1990-99 | Photography by Mark Dellas | TYPOGRAPHEUM | Francestown, N.H., 1999

«Description» November 1999. 200 copies. Signed by the poet. Octavo. 32 pages sewn and bound in blue overlapping wrappers. Titling label on the cover. Edges trimmed. Illustrated: photograph by Mark Dellas printed from a half-tone screen block: frontispiece. Text and cover papers: Strathmore. Text type-face: 12-point Bembo. Separate prospectus.

81 • Don Bell: Bookspeak. 2000.

«Title-Page» Bookspeak | by | Don Bell | [fleuron] | TYPOGRAPHEUM

«Description» September 2000. 120 copies. Octavo. 28 pages sewn and bound in overlapping tan wrappers. Titling on the cover. Edges untrimmed. Text paper: Strathmore; cover paper: Fabriano. Type-faces: 12 and 18-point Bembo.

82 • Augustine D. Towey: Later Enchantments, Poems. 2000.

«Title-Page» Later Enchantments | Poems by | Augustine D. Towey, C.M. | [device] | (quotation from Gerard Manley Hopkins: “The Caged Skylark”) | TYPOGRAPHEUM

«Description» 2000. 175 copies. Signed by the poet. Royal octavo. Case-bound in a green cloth from Van Heek. Titling label on the back-strip.Edges untrimmed. 64 pages. Paper: Strathmore. Text type-face: 12-point Bembo with various sizes of Garamont for the display. Separate prospectus.

Alister Kershaw: One for the Road83-a • Alister Kershaw: One for the Road. 2003.

«Title-Page» One for the Road | by | Alister Kershaw | [fleuron] | TYPOGRAPHEUM | Francestown, New Hampshire | 2003

«Description» 2003. 175 copies. Royal octavo. Case-bound in a gold cloth from Japan. Titling label on the back-strip. Edges untrimmed. 128 pages. Illustrated: reproduced wine label, trimmed and tipped in: frontispiece. Erratum slip laid in. Paper: Cranes. Text type-face: 12-point Bembo. Separate prospectus.

«Annotations» This is an extended appreciation of alcoholic beverages and the friends with whom Alister Kershaw spent much of his life enjoying them. It is organized in “Rounds.” At one point he remarks: “There's something very wrong with a world in which you have to limit your tippling just because you haven't got any money.”

83-b • Alister Kershaw: One for the Road. 2003.

«Description» The same but with a variant binding by Jelka Kershaw: yellow cloth with a black leather label titled in gilt and affixed, low, on the back-strip. Top edges trimmed; others untrimmed. Illustrated: original wine label, tipped in: frontispiece. (An unknown number of copies were bound this way.)

84-a • John Moat: Hermes & Magdalen, Poems and Etchings 43. 2004.

«Title-Page» Hermes & Magdalen | Poems and Etchings by | John Moat | [in brown] 43 | TYPOGRAPHEUM | Francestown, New Hampshire: 2004

«Description» December 2004. 150 copies. Royal octavo. Case-bound in a silk-finish Japanese cloth. Edges untrimmed. Rose end-papers. 96 pages. Illustrated: 20 original etchings by the author reduced and reproduced by Senecio Press (Charlbury), trimmed and tipped in: frontispiece and on pages [10], [14], [20], [26], [30], [35], [37], [41], [43], [47], [52], [55], [57], [61], [64], [67], [70], [73], and [75]. Errata slip laid in. Paper: Strathmore. Text type-face: 12-point Bembo. Separate prospectus.

84-b • John Moat: Hermes & Magdalen, Poems and Etchings 43. 2004.

«Description» The same but 10 numbered copies signed by the author and including one new original etching (which were limited to 20 copies printed by Gareth John Jones). Specially bound and slip-cased by Fine Binders of Wellingborough. The cloth is from Colibri and the end-papers are hand-made from Saunders.

84-c • John Moat: Hermes & Magdalen, Poems and Etchings 43. 2004.

«Description» The same but three copies, lettered A to C, signed and including a full suite of the original etchings.

Augustine Towey: The Anna Poems85 • Brother Augustine Towey, C.M.: The Anna Poems. 2005:

«Title-Page» The Anna Poems | and two other verses | A Chapbook | [fleuron] | by Brother Augustine Towey, C.M. | TYPOGRAPHEUM | Francestown, New Hampshire: 2005

«Description» March 2005. 185 copies. Signed by the poet. Octavo. 32 pages sewn and bound into dark green overlapping wrappers. Titling label on the cover. Edges trimmed. Text type-face: 12-point Bembo.

86 • Brother Augustine Towey, C.M.: Poems from San Francisco. 2006.

«Title-Page» Poems from San Francisco | and The Niagara University | Sesquicentennial Poem | A Chapbook | [fleuron] | by Brother Augustine Towey, C.M. | TYPOGRAPHEUM | Francestown, New Hampshire: 2006

«Description» June 2006. 185 copies. Signed by the poet. Octavo. 14 unnumbered leaves sewn and bound in light green overlapping wrappers. Titling label on the cover. Edges trimmed. Text type-face: 12-point Bembo.

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